We all look at newer and better cameras, and we as photographers spend a ton of money on them. Why? We want to take better photos. By buying a new camera what we are doing in essence is blaming our existing gear. Is it a gear problem?
Clearly not. Most of us turn to the masters, whether they be Street Photographers or Landscape Photographers, we all aspire and strive to be like them. Often, people will study these masters haphazardly, will learn what gear they used, and will most of the time not learn ‘how’ these photographers worked. Often, it is the ‘how’ that is most important.
Most of today’s cameras far surpass in quality the cameras of yesteryears master. Yet, most photographers still think they need better cameras. Case in point, are those that look to Ansel Adams as their ‘master’. They love the images, they aspire to do the same, yet they are too lazy to hike their gear to the majestic scenes and too lazy to even use a tripod as Ansel Adams did. So, what do they do when their images are still not the same as the masters and a little blurry? The look for another lens or new camera.
Your camera can do it. As long as you purchased the right camera for the right job, i.e. Not an old 8×10 View Camera for candid street photography, you are probably good. Most Phone, Pocket, Rangefinders, and DSLR digital or film cameras will do the job. All of these technologies can create amazing images. I have created award-winning images that have been published from a camera I purchased many years ago, a Canon 40D with only 10.1 megapixels.
New gear is NOT the answer. Venders and salespeople will tell you it is. Oh, shiny new objects they will put into your hands. Don’t do it. Don’t get caught in the trap.
So, if it’s not the new gear, what should you do to become a better photographer? Well, you can turn to podcasts, magazines, books, classes, workshops (DIY or Expensive varieties) but the most useful way of learning is by going out and shooting. I know photographers that purchased studio lights, read several books on lighting, took three workshops on lighting, upgraded their lights to newer shinny ones, and would not go out and work with a model because; their words, “I don’t know what I’m doing.”
Get out, shoot, make mistakes, learn from them. There is NO BETTER WAY to learn, than by doing. Doing, shooting, is the absolute best way to learn and get better.
”Tell me and I forget, teach me and I may remember, involve me and I learn.” – Benjamin Franklin
Books, classes, and workshops can help give you better insights and can show you different ways of doing things, and can help with some tips and tricks. Remember however those different ways are not always the best for you. These other ways may not suit your style or your personality. Or, they may. Without trying different ways, how can you know which way is best? You need to invest in these different ways. By invest I mean, time. Don’t try a new skill or technique for an hour or a day and decide it’s not for you. Some techniques, like Zone Focus shooting from the hip, need many outings to master. The rewards however are great. Many skills and techniques are like that. Spend the time, shoot lots, you will be rewarded.
I have had students that have been stuck because they were taught one way to do something and were very reluctant to try different methods or techniques. Many would rather buy new gear (yet again) than change what or how they do things.
Seriously, Podcasts, Books, Classes, and Workshops are for the most part ALL better ways of learning to create better images than getting a new camera and capturing crappy images with more pixels. Get out and shoot.
In the next few posts, I will talk about ways of Self Learning based on a class I teach and will discuss workshops. How to choose workshops, how to prepare, and how to get the most out of them.
See you on the streets.
Saturday February 17th & Sunday 18th, 2017.
A comprehensive two-day workshop that will look at Composition and how its understanding leads to Personal Style.
This workshop will examine much more than the ten basic rules of composition including:
1. The Science and Psychology of Imagery
2. The Importance of Subject Matter
3. Elements of Composition
4. Medium Specific (In-Camera Controls)
5. Placement/Point of Focus
6. Division of Space including Negative Space
8. Balance (including how to recognize balance)
9. Notions and Devices
10. Breaking the Rules
And will further define and explore Style:
11. What is Style
12. Artistic & Photographic Style
13. Defining your Style
14. How to refine your Style
Although this is a Photography workshop, it is perfect for most artists including Painters and Illustrators. Based on class composition, Jean-Francois will discuss some other Mediums when appropriate.
This two-day workshop is $179.00 per person. Breakfast (Muffins, Donuts, Fruit) is included both days and Tea and Coffee will be provided throughout the day. Students to provide their own lunches. We will break for 1 Hour for lunch each day. There are several local food vendors nearby in Ladner where classes are being held.
Classes will run from 9:30am to 4:30pm on Saturday and Sunday in Ladner, BC. Lunch will be from (approx.) 12:00 to 1:00 each day. There will be Q&A time throughout the class and from 4:30 to 5:00 each day.
Please contact email@example.com
Learn the most celebrated photography style, The Street, with the National Geographic Photographer Massimo Bassano, joined by Vancouver emerging photographer Myriam Casper.
“Together we designed an intense Street Photography Workshop to push you out of your comfort zone, giving instant feedback, direction and ideas of how to capture street moments”
Information available here.